Over the past 12 months, Bangladesh’s arts and cultural sector has repeatedly faced mob violence, intimidation, and disruption, leading to the cancellation of concerts, festivals, and public cultural programmes across the country. Baul performers have been attacked, mazars vandalized, and artists prevented from participating in events. In most cases, no judicial action has followed.
In December, two of the country’s leading cultural institutions, Chhayanaut and Udichi, were attacked. On December 18, following the spread of news about Osman Hadi’s death, mobs attacked and set fire to the Prothom Alo–Daily Star building in Karwan Bazar. On the same night, the Chhayanaut building in Dhanmondi was vandalized. The following day, Udichi’s office was set on fire. Both institutions have played central roles in Bangladesh’s cultural and progressive movements for decades.
Earlier incidents show a consistent pattern. In November, Baul singer Abdul Sarker and his supporters were attacked in Manikganj following allegations of religious offence. Similar violence occurred in Thakurgaon during a programme demanding justice for Baul performers. No arrests have been made in these cases. In Faridpur, a concert by musician James was cancelled after stone-throwing and attempts to breach the stage.
Cultural events have also been halted without violence, following threats alone. Lalon festivals in Tangail and Narayanganj were cancelled under pressure from religious groups. Theatre festivals, spring celebrations, and university-based programmes were suspended despite official permissions. Public appearances by women artists were repeatedly cancelled citing security concerns.
Across these incidents, organisers complied, programmes were shut down, and responsibility remained unassigned. Cultural workers and organisers note that the cumulative effect is growing fear, uncertainty, and self-censorship.
As 2025 ends, the record shows not isolated disruptions, but a sustained erosion of cultural freedom. The absence of accountability in these cases raises urgent questions about public safety, the rule of law, and the state’s responsibility to protect cultural expression in Bangladesh.
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